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Lady Gaga Biography
Birth Name
Stefani Joanne Angelina Germanotta
Nickname
GaGa
Mother Monster
Germ (by her high school friends)
Loopy (by her father)
Sucra (by her grandma)
Height
5' 1" (1.55 m)
Lady Gaga was born as Stefani Joanne Angelina Germanotta on March 28, 1986 in Yonkers, New York. She attended New York University's Tisch School for the Arts but left to find creative expression. She wrote songs for other artists until being discovered by R&B singer Akon. Her debut album, The Fame, was a huge success, and the single "Poker Face" topped charts in almost every category, in almost every country.
Stefani Joanne Angelina Germanotta was born on March 28, 1986 in Yonkers, New York, to Cynthia and Joseph Germanotta. Germanotta, now known as Lady Gaga (she has attributed the inspiration for her name to the Queen song "Radio Ga-Ga"), went on to become an international pop star.
Gaga learned to play the piano by the age of 4. At the age of 11, she was accepted to the Juilliard School in Manhattan, but instead attended a private Catholic school in the city. She continued studying music and performing, writing her first piano ballad at the age of 13, and she held her first performance in a New York nightclub at the age of 14.
A few years later, Gaga was granted early admission to New York University's Tisch School of the Arts—she was one of only 20 students in the world to receive the honor of early acceptance. While there, she studied music and worked on her songwriting skills. She later withdrew from school to find creative inspiration. To make ends meet, she took three jobs, including a stint as a gogo dancer, while she honed her performance-art act.
In 2005, Lady Gaga was briefly signed by Def Jam Records, but was dropped just months later. Being dropped by the label propelled the singer to perform on her own in clubs and venues on New York City's Lower East Side. There, she collaborated with several rock bands, and began her experimentation with fashion.
In 2007, at the age of 20, Gaga began work at Interscope Records as a songwriter for other artists on the label, including Britney Spears, New Kids on the Block, and The Pussycat Dolls. R&B singer Akon discovered Gaga while she was performing a burlesque show that she created, called "Lady Gaga and the Starlight Revue." Impressed, Akon signed the performer to his label under the Interscope umbrella, Kon Live. Through 2007 and 2008, Gaga wrote and recorded her debut album, The Fame. The record was received positive reviews and popular success in the United States. With the help of her own creative team, "Haus of Gaga," the performer also began to make a name for herself internationally.
Lady Gaga's debut single, "Just Dance," was released to radio in early 2008, and received both popular and commercial acclaim. The song was then nominated for a Grammy Award (for best dance recording) in 2008. The song lost to Daft Punk's "Harder, Better, Faster, Stronger," but this didn't keep Gaga from reaching No. 1 on the mainstream pop charts in January 2009. The second single off of The Fame, "Poker Face," earned Gaga even more success.
The song topped singles charts in almost every category, and in almost every country. Both songs were produced by Akon's affiliate RedOne, who co-wrote most of Lady Gaga's album.
Later in 2008, Lady Gaga opened for the newly reformed New Kids on the Block. She also collaborated with the group on the song "Big Girl Now" from New Kids on the Block's album The Block. The following year, Gaga released an album of eight songs, The Fame Monster,followed by 2011's Born This Way.
Public image
While Chris Molanphy from Rolling Stone named Gaga the "Queen of Pop" in a ranking published by the magazine in 2011 (between 15 artists, such as Adele and Britney Spears), public reception of Gaga's music, fashion sense and persona are mixed. Her status as a role model, self-esteem booster for her fans, trailblazer and fashion icon who breathes new life into the industry is by turns affirmed and denied. Gaga's albums have received mostly positive reviews and critics have pointed out her unique place in pop music, the need for new movements in popular culture, the attention Gaga brings to modern social issues, and the inherently subjective nature of her art. In view of her influence on modern culture and her rise to global fame, sociologist Mathieu Deflem of the University of South Carolina has organized a course titled "Lady Gaga and the Sociology of Fame" since spring 2011 with the objective of unravelling "some of the sociologically relevant dimensions of the fame of Lady Gaga." When Gaga briefly met with US president Barack Obama at a Human Rights Campaign fundraiser, he described the interaction as "intimidating" as she was dressed in 16-inch heels making her undoubtedly the tallest woman in the room.
Contrary to her outré style, the New York Post described her early look as like "a refugee from Jersey Shore" with "big black hair, heavy eye makeup and tight, revealing clothes." Gaga is a natural brunette; she bleached her hair blonde because she was often mistaken for Amy Winehouse. She has nine tattoos on the left side of her body (her father has banned etchings on her right): a unicorn head with a ribbon wrapped around its horn that says "Born This Way"; a small heart with "dad" written inside it; several white roses; a treble clef; three daises; "Tokyo Love" with a little heart; "Little Monsters" written in cursive; a peace symbol, which was inspired by John Lennon, whom she stated was her hero; and a curling German script on her left arm quoting the poet Rainer Maria Rilke, her favorite writer, commenting that his "philosophy of solitude" spoke to her. In a question posed about the necessary procedure to attach the prosthetics to give the unconventional appearance of recent horn-like ridges on her cheekbones, temples, and shoulders, Gaga responded, "They're not prosthetics, they're my bones." She also clarified that they were not the result of plastic surgery, believing such surgery to only be the modern byproduct of fame-induced insecurity to which she does not subscribe. The interviewer's further probing brought Gaga to the conclusion that they are an artistic representation of her inner inspirational light and part of the "performance piece" that is her musical persona: an inevitability of her becoming who she now is.
Towards the end of 2008, comparisons were made between the fashions of Gaga and recording artist Christina Aguilera that noted similarities in their styling, hair, and make-up. Aguilera stated that she was "completely unaware of [Gaga]" and "didn't know if it [was] a man or a woman." Gaga released a statement in which she welcomed the comparisons due to the attention providing useful publicity, saying, "She's such a huge star and if anything I should send her flowers, because a lot of people in America didn't know who I was until that whole thing happened. It really put me on the map in a way." When interviewed by Barbara Walters for her annual ABC News special 10 Most Fascinating People in 2009, Gaga dismissed the claim that she is intersex as an urban legend. Responding to a question on this issue, she stated, "At first it was very strange and everyone sorta said, 'That's really quite a story!' But in a sense, I portray myself in a very androgynous way, and I love androgyny." In addition to Aguilera's statement, comparisons continued into 2010, when Aguilera released the music video of her single "Not Myself Tonight". Critics noted similarities between the song and its accompanying music video with Gaga's video for "Bad Romance". There have also been similar comparisons made between Gaga's style and that of fashion icon Dale Bozzio from the band Missing Persons. Some have considered their respective images to be strikingly parallel although fans of Missing Persons note that Bozzio had pioneered the look more than thirty years earlier.
While devout followers call Gaga "Mother Monster", Gaga often refers to her fans as "Little Monsters" which has been tattooed on "the arm that holds my mic" in dedication. To some, this dichotomy contravenes the concept of outsider culture. Camille Paglia in her 2010 cover story "Lady Gaga and the death of sex" in The Sunday Times asserts that Gaga "is more an identity thief than an erotic taboo breaker, a mainstream manufactured product who claims to be singing for the freaks, the rebellious and the dispossessed when she is none of those." Writing for The Guardian, Kitty Empire opined that the dichotomy "...allows the viewer to have a 'transgressive' experience without being required to think. At [her performance's] core, though, is the idea that Gaga is at one with the freaks and outcasts. The Monster Ball is where we can all be free. This is arrant nonsense, as the scads of people buying Gaga's cunningly commercial music are not limited to the niche worlds of drag queens and hip night creatures from which she draws her inspiration. But Gaga seems sincere." Gaga has also launched "littlemonsters.com", the first official social network devoted to fans of an artist titled that went online in July 2012.
In 2012, Lady Gaga become a feature of a temporary exhibition The Elevated. From the Pharaoh to Lady Gaga marking the 150th anniversary of the National Museum in Warsaw. An exhibition devoted to the mechanisms and the iconography of power was co-financed from the Ministry of Culture and National Heritage funds. Its purpose was to show the ubiquity of hierarchy from antiquity to the present. Showpiece of the exhibition was a compilation of effigies of two women who have achieved a high status in the society of its time. One of them, Dorothea de Biron came from a princely family and as a matter of birth, but also beauty and intellect, was universally admired figure in the late 18th-century court culture, celebrity at that time. Lady Gaga, presented in a dress of raw meat, is an icon of modernity elevated by the power which she exercises over mass media, a prominent specialist in creating her own image. The meat dress will be displayed at the National Museum of Women in the Arts located in Washington, D.C. with an explanation of her political message.
A new genus of ferns, Gaga, and two new species, G. germanotta and G. monstraparva have been named in her honor. "The epithet “monstraparva” honors Lady Gaga’s fervent and loyal fans, her “little monsters.” The official little monster greeting is the outstretched “monster claw” hand, which bears a striking resemblance to a tightly inrolled young fern leaf prior to unfurling."
Lady Gaga Biography
Birth Name
Stefani Joanne Angelina Germanotta
Nickname
GaGa
Mother Monster
Germ (by her high school friends)
Loopy (by her father)
Sucra (by her grandma)
Height
5' 1" (1.55 m)
Lady Gaga was born as Stefani Joanne Angelina Germanotta on March 28, 1986 in Yonkers, New York. She attended New York University's Tisch School for the Arts but left to find creative expression. She wrote songs for other artists until being discovered by R&B singer Akon. Her debut album, The Fame, was a huge success, and the single "Poker Face" topped charts in almost every category, in almost every country.
Stefani Joanne Angelina Germanotta was born on March 28, 1986 in Yonkers, New York, to Cynthia and Joseph Germanotta. Germanotta, now known as Lady Gaga (she has attributed the inspiration for her name to the Queen song "Radio Ga-Ga"), went on to become an international pop star.
Gaga learned to play the piano by the age of 4. At the age of 11, she was accepted to the Juilliard School in Manhattan, but instead attended a private Catholic school in the city. She continued studying music and performing, writing her first piano ballad at the age of 13, and she held her first performance in a New York nightclub at the age of 14.
A few years later, Gaga was granted early admission to New York University's Tisch School of the Arts—she was one of only 20 students in the world to receive the honor of early acceptance. While there, she studied music and worked on her songwriting skills. She later withdrew from school to find creative inspiration. To make ends meet, she took three jobs, including a stint as a gogo dancer, while she honed her performance-art act.
In 2005, Lady Gaga was briefly signed by Def Jam Records, but was dropped just months later. Being dropped by the label propelled the singer to perform on her own in clubs and venues on New York City's Lower East Side. There, she collaborated with several rock bands, and began her experimentation with fashion.
In 2007, at the age of 20, Gaga began work at Interscope Records as a songwriter for other artists on the label, including Britney Spears, New Kids on the Block, and The Pussycat Dolls. R&B singer Akon discovered Gaga while she was performing a burlesque show that she created, called "Lady Gaga and the Starlight Revue." Impressed, Akon signed the performer to his label under the Interscope umbrella, Kon Live. Through 2007 and 2008, Gaga wrote and recorded her debut album, The Fame. The record was received positive reviews and popular success in the United States. With the help of her own creative team, "Haus of Gaga," the performer also began to make a name for herself internationally.
Lady Gaga's debut single, "Just Dance," was released to radio in early 2008, and received both popular and commercial acclaim. The song was then nominated for a Grammy Award (for best dance recording) in 2008. The song lost to Daft Punk's "Harder, Better, Faster, Stronger," but this didn't keep Gaga from reaching No. 1 on the mainstream pop charts in January 2009. The second single off of The Fame, "Poker Face," earned Gaga even more success.
The song topped singles charts in almost every category, and in almost every country. Both songs were produced by Akon's affiliate RedOne, who co-wrote most of Lady Gaga's album.
Later in 2008, Lady Gaga opened for the newly reformed New Kids on the Block. She also collaborated with the group on the song "Big Girl Now" from New Kids on the Block's album The Block. The following year, Gaga released an album of eight songs, The Fame Monster,followed by 2011's Born This Way.
Public image
While Chris Molanphy from Rolling Stone named Gaga the "Queen of Pop" in a ranking published by the magazine in 2011 (between 15 artists, such as Adele and Britney Spears), public reception of Gaga's music, fashion sense and persona are mixed. Her status as a role model, self-esteem booster for her fans, trailblazer and fashion icon who breathes new life into the industry is by turns affirmed and denied. Gaga's albums have received mostly positive reviews and critics have pointed out her unique place in pop music, the need for new movements in popular culture, the attention Gaga brings to modern social issues, and the inherently subjective nature of her art. In view of her influence on modern culture and her rise to global fame, sociologist Mathieu Deflem of the University of South Carolina has organized a course titled "Lady Gaga and the Sociology of Fame" since spring 2011 with the objective of unravelling "some of the sociologically relevant dimensions of the fame of Lady Gaga." When Gaga briefly met with US president Barack Obama at a Human Rights Campaign fundraiser, he described the interaction as "intimidating" as she was dressed in 16-inch heels making her undoubtedly the tallest woman in the room.
Contrary to her outré style, the New York Post described her early look as like "a refugee from Jersey Shore" with "big black hair, heavy eye makeup and tight, revealing clothes." Gaga is a natural brunette; she bleached her hair blonde because she was often mistaken for Amy Winehouse. She has nine tattoos on the left side of her body (her father has banned etchings on her right): a unicorn head with a ribbon wrapped around its horn that says "Born This Way"; a small heart with "dad" written inside it; several white roses; a treble clef; three daises; "Tokyo Love" with a little heart; "Little Monsters" written in cursive; a peace symbol, which was inspired by John Lennon, whom she stated was her hero; and a curling German script on her left arm quoting the poet Rainer Maria Rilke, her favorite writer, commenting that his "philosophy of solitude" spoke to her. In a question posed about the necessary procedure to attach the prosthetics to give the unconventional appearance of recent horn-like ridges on her cheekbones, temples, and shoulders, Gaga responded, "They're not prosthetics, they're my bones." She also clarified that they were not the result of plastic surgery, believing such surgery to only be the modern byproduct of fame-induced insecurity to which she does not subscribe. The interviewer's further probing brought Gaga to the conclusion that they are an artistic representation of her inner inspirational light and part of the "performance piece" that is her musical persona: an inevitability of her becoming who she now is.
Towards the end of 2008, comparisons were made between the fashions of Gaga and recording artist Christina Aguilera that noted similarities in their styling, hair, and make-up. Aguilera stated that she was "completely unaware of [Gaga]" and "didn't know if it [was] a man or a woman." Gaga released a statement in which she welcomed the comparisons due to the attention providing useful publicity, saying, "She's such a huge star and if anything I should send her flowers, because a lot of people in America didn't know who I was until that whole thing happened. It really put me on the map in a way." When interviewed by Barbara Walters for her annual ABC News special 10 Most Fascinating People in 2009, Gaga dismissed the claim that she is intersex as an urban legend. Responding to a question on this issue, she stated, "At first it was very strange and everyone sorta said, 'That's really quite a story!' But in a sense, I portray myself in a very androgynous way, and I love androgyny." In addition to Aguilera's statement, comparisons continued into 2010, when Aguilera released the music video of her single "Not Myself Tonight". Critics noted similarities between the song and its accompanying music video with Gaga's video for "Bad Romance". There have also been similar comparisons made between Gaga's style and that of fashion icon Dale Bozzio from the band Missing Persons. Some have considered their respective images to be strikingly parallel although fans of Missing Persons note that Bozzio had pioneered the look more than thirty years earlier.
While devout followers call Gaga "Mother Monster", Gaga often refers to her fans as "Little Monsters" which has been tattooed on "the arm that holds my mic" in dedication. To some, this dichotomy contravenes the concept of outsider culture. Camille Paglia in her 2010 cover story "Lady Gaga and the death of sex" in The Sunday Times asserts that Gaga "is more an identity thief than an erotic taboo breaker, a mainstream manufactured product who claims to be singing for the freaks, the rebellious and the dispossessed when she is none of those." Writing for The Guardian, Kitty Empire opined that the dichotomy "...allows the viewer to have a 'transgressive' experience without being required to think. At [her performance's] core, though, is the idea that Gaga is at one with the freaks and outcasts. The Monster Ball is where we can all be free. This is arrant nonsense, as the scads of people buying Gaga's cunningly commercial music are not limited to the niche worlds of drag queens and hip night creatures from which she draws her inspiration. But Gaga seems sincere." Gaga has also launched "littlemonsters.com", the first official social network devoted to fans of an artist titled that went online in July 2012.
In 2012, Lady Gaga become a feature of a temporary exhibition The Elevated. From the Pharaoh to Lady Gaga marking the 150th anniversary of the National Museum in Warsaw. An exhibition devoted to the mechanisms and the iconography of power was co-financed from the Ministry of Culture and National Heritage funds. Its purpose was to show the ubiquity of hierarchy from antiquity to the present. Showpiece of the exhibition was a compilation of effigies of two women who have achieved a high status in the society of its time. One of them, Dorothea de Biron came from a princely family and as a matter of birth, but also beauty and intellect, was universally admired figure in the late 18th-century court culture, celebrity at that time. Lady Gaga, presented in a dress of raw meat, is an icon of modernity elevated by the power which she exercises over mass media, a prominent specialist in creating her own image. The meat dress will be displayed at the National Museum of Women in the Arts located in Washington, D.C. with an explanation of her political message.
A new genus of ferns, Gaga, and two new species, G. germanotta and G. monstraparva have been named in her honor. "The epithet “monstraparva” honors Lady Gaga’s fervent and loyal fans, her “little monsters.” The official little monster greeting is the outstretched “monster claw” hand, which bears a striking resemblance to a tightly inrolled young fern leaf prior to unfurling."
Lady Gaga
Lady Gaga
Lady Gaga
Lady Gaga
Lady Gaga
Lady Gaga
Lady Gaga
Lady Gaga
Lady Gaga
Lady Gaga
Lady Gaga
Lady Gaga
Lady Gaga
Lady Gaga
Lady Gaga
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